The Reviews are in for Seize The King
It was our utmost pleasure to be the first company to reopen live, outdoor theatre in NYC since March 2020. We enjoyed a critically acclaimed run of Seize The King…
NYT Review: Bang! Pow! A ‘Three Musketeers’ Summertime Romp
By Elisabeth Vincentelli From left, Reynaldo Piniella, Brandon Carter, Miriam Hyman and Emmanuel Brown in “The Three Musketeers,” at the Richard Rodgers Amphitheater in Marcus Garvey Park. Credit Richard Termine…
New York Times Review of The First Noel
The little girl is called Noel, and you can tell she’s a doodler from her shoes, decorated with tiny drawings and snatches of words. “Noel the 2nd,” she’s spelled out…
‘Tempest’ Review: Classical Theatre of Harlem Knocks Production out of the Park
By Mark Canavera for HuffPost The third time’s a magical charm. In its strongest outing since it launched public productions of Shakespeare two summers ago, the Classical Theatre of Harlem‘s…
Daily News review of The Tempest
A potent Prospero is a must for “The Tempest” to be see-worthy. The Classical Theatre of Harlem’s summer serving of Shakespeare has found one with Ron Cephas Jones — whose…
IN New York Reviews Witness Uganda
Sure, nothing beats the bright lights and razzle dazzle of the Great White Way—what with more than a handful of larger-than-life musicals and plays of the dramatic and comedic variety…
Broadwayworld.com Reviews Witness Uganda
Theater and Harlem luminaries converged on the Apollo Theater Soundstage on Monday to mark the 15th anniversary of The Classical Theatre of Harlem (CTH) (Ty Jones, Producing Artistic Director; David Roberts, Managing Director).…
The Huffington Post reviews Romeo and Juliet
I recently had the pleasure of waiting a mere six hours to get free tickets to the Public Theater’s production of “Much Ado About Nothing” in Central Park. The next…
The New York Times reviews Romeo N Juliet
Hip-hop music from the nearby baseball diamond wafts into Verona. A stray tabby and a cloud of fireflies crowd its lanes. At “Romeo N Juliet,” a free performance staged in…
The New York Times reviews The Dutchman
The subway is the city’s great equalizer, a place where all of New York can jostle peaceably. But in “Dutchman,” the incendiary 1964 play by LeRoi Jones, proximity breeds anger,…